Van Der Zee, James Augustus
1886-1983 · Contribution: 1916-1983
Produced the most comprehensive photographic chronicle of the Harlem Renaissance, running his Harlem studio from 1916 for over four decades and creating stylized portraits that both documented and helped shape the era's image of Black middle-class aspiration and pride

Portraits are AI-generated interpretations, not photographs.
Impact on the world
Opening the Guarantee Photo Studio (later GGG Studio) on West 125th Street in 1916, Van Der Zee became Harlem's most sought-after photographer through the 1920s and 30s, using elaborate props, backdrops, and heavy negative retouching to give his sitters — from ordinary families celebrating weddings and graduations to Marcus Garvey, Bill “Bojangles” Robinson, and Countee Cullen — a deliberate aura of glamour and dignity rarely afforded Black Americans in mainstream imagery of the era; his 1919 photographs of the returning “Harlem Hellfighters” victory parade and his extensive documentation of Garvey's Universal Negro Improvement Association remain irreplaceable historical records. After decades of declining commissions and near-poverty, his rediscovery by the Metropolitan Museum of Art for its landmark (and controversial) 1969 exhibition “Harlem on My Mind” revived his career in his 80s, leading to a late-life resurgence that included photographing a 21-year-old Jean-Michel Basquiat in 1982, the year before Van Der Zee's death; the Met formally assumed stewardship of his complete photographic archive in 2021.
Life & background
Born June 29, 1886, in Lenox, Massachusetts, to Elizabeth and John Van Der Zee, former household staff to President Ulysses S. Grant, he received his first camera at 14 after winning a sales contest and initially aspired to a music career as a violinist and pianist, even founding the Harlem Orchestra after moving to New York around 1906. He worked as a darkroom assistant before opening his studio in 1916 with first wife Gaynella Greenlee, whom he married in 1920 after the studio's founding; his beloved daughter Rachel's 1927 death from appendicitis at 19 led him to create deeply personal funeral photography later collected in The Harlem Book of the Dead (1978), with a foreword by Toni Morrison. Evicted from Harlem amid financial hardship in the 1970s after his first archival deal, he was rescued from obscurity by art dealer Donna Mussenden, whom he married in 1978, and spent his final years newly celebrated, receiving a Living Legacy Award from President Jimmy Carter in 1979 before dying in Washington, D.C., on May 15, 1983, at age 96.
Sources
- Encyclopædia Britannica; Studio Museum in Harlem; National Gallery of Art
More in Press & Photography
Abbott, Robert Sengstacke
1870-1940
Founded the Chicago Defender in 1905 with a 25-cent investment, building it into the most influential Black newspaper in the country and a primary catalyst of the Great Migration of roughly 1.5 million Black Southerners northward
Alcindor, Yamiche Léone
1986-present
Served as PBS NewsHour’s White House correspondent from 2018 to 2022, becoming a leading chronicler of the Trump and early Biden presidencies before succeeding her mentor Gwen Ifill, also profiled in this collection, as moderator of PBS’s Washington Week
Ball, James Presley
1825-1904
Built one of the first successful African American-owned photography studios in the country, operating “Ball’s Great Daguerrean Gallery of the West” in Cincinnati from 1849 and photographing subjects from Frederick Douglass to Queen Victoria over a 50-year, coast-to-coast career
Barboza, Anthony
1944-present
Built a five-decade commercial and fine-art photography career after joining the Kamoinge Workshop in 1963 as its youngest member, later serving as the collective’s president from 2005 to 2016 and co-editing its landmark 2015 history, Timeless: Photographs by Kamoinge